Shapes used: cubes for the head and brows, spheres and sphere ’slices’ for eyes and ears, respectively, a cylinder for the neck, and sliced cones for the nose and lips

< Reference sketches of good ol’ Boxy - The features of the model that would ideally have editable parameters (for quickly making him into a different face altogether) are pretty straightforward, namely:

- the width, tilt, height-placement, and length of ears, brows and lips

- the same options in place for the nose, which at the moment takes extreme prominence…and in this example would likely affect the facial appearance most of all

- the taper, width, or length of the head compared to any implied ‘chin’,

- and spacing between features in relation to each other, esp. between the eyes and surrounding face.

- Neck could technically count, but in this case would seem as more of an emphasis on other features rather than important in its own right

- Most of the ‘emotion’ in this particular model seems best shown through the angle of the face or tilting/rotation of the brows and mouth, especially the latter which is constantly affected by shadows

< Front View
< 3/4 Front View
< Side View

(hm…his expression was meant to look fairly neutral but somehow became a bit worried and addlepated. For something a bit angrier, or at least approaching curmudgeon levels, see below)

< Front View Eyebrow of Disapproval
< “He’d flare Nostrils if he Had ‘Em” 3/4 View
< Side “Slightly Recoiling” View